As this and last week saw five of the
six largest publishers adopt the agency pricing model, we have to ask the
question, “How much should a book cost?” This is akin to asking, “How long is a
piece of string?”
But in all seriousness, how much
should a book cost? What is considered a fair price? Similarly, how much should
a car cost? Should a Mercedes sedan cost the same as a Toyota sedan, and should
a Chevy cost the same as a Ford?
In just one year, we have seen a
massive shift by authors from traditional publishing to self-publishing, or
‘indie’ publishing. But why should this be? Why this sudden shift in something
that has been the norm for hundreds of years? The answer is always the same;
our old friend, money. Or, in this case, profit (royalties).
Publishing has taken a turn, and now,
instead of seeing paltry royalties for their works, authors are enjoying
royalties as high as 70 or even 80 percent under the agency pricing model, as
opposed to the usual 15 to 20 percent under traditional publishers, who have
always taken the lion’s share of published books.
Not any more.
Now authors are reaping the benefits
of their work by bypassing traditional publishers and doing it themselves.
These days it is relatively simple to self-publish a book. All any writer needs
is a modicum of technical expertise and access to an online publisher such as
Smashwords, who will convert their manuscript into an acceptable format that
digital readers (Kindle, NookBook) can understand, and then distribute it to
the main online bookstores such as Amazon, Barnes and Noble, and Apple.
The writer need supply only a
manuscript, some cover artwork, and a description of the book, together with a
price that they feel is fair. And this is where the problem lies.
What is considered a ‘fair’ price for
a book? And what, these days, constitutes a ‘book’? An 80,000-word piece of
prose I think most people would consider a book. But what about short stories –
the forbear of the ‘novel? Is a 500 or 5000 word short story also a book? How
about three pages of personal poetry? If all three appear in digital format,
they are considered as ‘ebooks’, and are therefore also considered as ‘books.
The problem lies not in the higher
pricing of books, but in the lower
pricing. In order to be competitive, most writers make available their works at
between $0.99 and $2.99, with an average price (according to Smashwords) of
$3.41. However, unless you are a well-known and established author, an asking
price of $3.41 for anything other than a full-length novel is not likely to be
met by consumers.
Readers have now come to expect not
only free ebooks, but ebooks in the $0.99 - $2.99 range. Only the latest
‘top-sellers’ can demand a $3.41 price tag; a far cry from not so long ago,
when upwards of $15.00 was the norm for a novel.
Although authors under the agency
pricing model are free to price their own works at any price they like (which
the distributor will not discount unless price-matching), there is a limit to
this price, inasmuch as $0.99 is the lowest
price that can be set at online distributors.
So it is fair to see a full-length,
300-page novel priced at $0.99, right alongside a 5-page short story also
priced at $0.99? You can’t blame the author for this. The minimum price they
are allowed to set (and at Amazon, writers must
set a price), is $0.99. Other than this, writers are forced to use a lower
price, which is free.
Nobody can make a living writing by
giving away their work, but, by the same token, if they specialize in short
stories, then a $0.99 price tag seems disproportionate when compared to a $0.99
novel, or 500 words of ‘personal poetry’.
There is no way around this unless the
distributors include a word count in the book’s description so that potential
buyers are aware of the length of the book they’re considering buying. The file
size is useless in determining word count as the book may contain images, which
boosts the file size. The only true way to determine if you are downloading a
short story, a novel, or two pages of personal poetry is by a word count.
I have started including a word count
at the bottom of the description of all my publications, but this is often
stripped off by the distributor when they upload it for purchase. The onus here
lies with the author to specify what their book is, i.e. a novel, a short
story, or something else. But, as writers are often given a mere 400 characters
for their book’s description, few want to waste these precious characters in
explaining what the ebook actually is.
Amazon has started including a page count
beside ebook metadata, but, what page size are they referring to?
8”x11”? 5.25”
x 8”? Who knows?
So their page count is quite useless unless they specify the
actual page size in use. A 10-page 8”x11” piece equates to 20 pages on 5.25”x8”
paper.
This is just another dilemma in the
new ebook world that needs a solution. I wait with bated breath to see how this
one will be solved. And it will be solved. For now, though, you’re just going
to have to take your chances. You can’t demand a refund on an ebook because it
was shorter than you expected. Neither should you leave reviews of any book
about it being too short, either, as just accentuates your own ignorance.
It’s swings and roundabouts. Would you
rather pay $0.99 for an excellent, 5000 word short story, or the same price for
80,000 words of complete, mind-melting drivel?
It has very much become a case of,
“Know the author, know the book.”
But . . . don’t some authors write
both novels and short stories?
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